Jimmy Cavallo (Jimmy Cavello)
When Jimmy Cavallo (b.
July">
Jimmy Cavallo (Jimmy Cavello) When Jimmy Cavallo (b.
July, 1927) was in high
school in Syracuse, NY in the early 1940's, he played in a swing band, playing harmony on
alto sax. He knew even then that playing the harmony was not for him, he wanted to do the
melody line and sing, and lead a band. He started buying Louis Jordan records and learning
those songs, and other jump blues records, and soon switched to tenor sax because that was
the lead horn in jump blues. When he was around 16 he formed his own band, but the only
work they got was playing local Italian weddings (and the occasional Polish, Jewish, or
Irish wedding). When he left home to serve in the Navy at the end of WW II, he took his
saxophone with him. While in the service in North Carolina,
and Washington DC, he spent his free time in black clubs, listening to and watching the latest in the
blues, and jamming with some of the rising stars of what would soon be called rock and
roll. At the end of the summer of 1949, he moved back
to Syracuse, got together some local musicians, [Sam Barone, bass; Al Antonello, drums;
Mike Peluso, piano] and went looking for work, but the clubs in the white
section of town were still playing hotel music, so in order to get work he had to play in
black clubs like the Penguin. His big break came at the end of 1949 when his uncle, who
owned a large night club called Sorrentos, let him play there. He was expected to play old
standards to the mostly Italian audience, but when he snuck in uptempo R&B numbers,
the crowd went nuts. After that, the Jimmy Cavallo Quartet started packing the club, and
playing all the R&B they wanted. The band was a phenomenon. In the summer of 1950 he
got a steady gig at Di Castros in Sylvan Beach on Oneida Lake. Word spread fast in Central
New York's large Italian community, and Jimmy drew a crowd from an area which
spanned from Utica to Rochester to Binghamton, with people flocking by the thousands to
dance to Jimmy Cavallo's rocking R & B. In 1950, Jimmy's band was drawing crowds of
1000 to 1200 every Sunday afternoon to DiCastros. In 1951, they cut 2 records for the tiny
BSD label, numbers 1004 and 1005. These records were recorded in the basement of the home
of label owner Angelo Pergolito, in Auburn, 25 miles from Syracuse. This record label,
which lasted from 1951 to 1955, was strictly aimed at recording local talent. Side A of
BSD 1004 was "Ha Ha Ha Blues," which was Jimmy's reworking of a Joe Morris tune,
also from 1951, called "Yeah! Yeah! Yeah!" The flip side was
"I Got Eyes For You." See below for picture. BSD 1005 had, on the A side, Cavallo's cover of Jimmy Preston's "Rock The
Joint." Bill Haley and his Saddlemen's 1952 waxing of that tune marked the dawn of
guitar-based rockabilly, but Cavallo's earlier record was done with saxophones and brass
in the germinal rock and roll style. Side B, "Leave Married Women Alone," is an
original done also in that vein. He wrote the tune with Diz Utley, another tenor
saxophonist, who had honked alongside Cavallo in the earliest days in North Carolina. Other artists on these two recordings
are Syracuse natives Elmer "Al" Antonello on drums, Sam Barone on bass, Mike
Peluso on keyboards, and Georgie Horton on trumpet. (note: the song was re-written as
"Soda Shop Rock" in 1956). Vocals on "Rock The Joint" are Jimmy in the
lead with Diz and Horton backing up. They played Di Castros for two more years and
disbanded, and Jimmy went on the road with a new band, in 1953 and '54. A falling-out in
Detroit led to this band's demise, and Jimmy's manager appointed him as the new leader of
tenor saxophonist Joe Marillo's band, an already-working R & B band in the Buffalo
area, and named them "Jimmy Cavallo and The House Rockers." With the dual-sax
sound of Marillo and Cavallo, national recognition came for the House Rockers after an
audition, in July of 1956, for Alan Freed in his studio at WINS in NYC. They soon began
appearing at Alan Freed shows and making records for the Coral label. In August of 1956,
they played the Brooklyn Paramount with Fats Domino and Big Joe Turner, after which they
appeared with Freed in the Vanguard movie "Rock,
Rock, Rock," in which they played the title song, and another tune called
"The Big Beat," (that's Joe Marillo in the movie on second sax). The movie was
released December 5, 1956, and the House Rockers played Harlem's Apollo Theater at the
same time to promote the movie's release. In the 10-day extended gig, the House Rockers
were augmented by a big band of veterans of the Duke Ellington and Count Basie orchestras,
led by Sam The Man Taylor. Playing the Apollo in December of 1956 was special, because it
put the House Rockers in the books as being the first white rock 'n' roll act to play the
celebrated Apollo Theater, (Buddy Holly would play there in 1957). In 1957, they did a
summer-long residence in Wildwood, NJ at a club called Harry Roeshe's Beachcomber, and the
headliners of this bill were the Treniers. After that Freed put
them in another movie Go,
Johnny, Go in 1959. After cutting 12 tracks for Coral, they waxed for the Sunnyside
and Hand labels in 1959, the Darcy label in 1963, and the Romar label in 1965. Jimmy Cavallo in Syracuse,
1993. Jimmy still visits hometown Syracuse for a gig or
two every summer. His fans there never seem to tire describing the old days in
Sylvan Beach, and it's amazing that even 55 years later, he can still pack a club in
Syracuse with followers who went to his shows in the early 50's, and who wait patiently
every year for Jimmy's annual migration back home. Once a year these people, now in their
70's and 80's, dance like they were 25 years old again. Jimmy is still playing in Florida,
as of this writing (2004), and has a resident engagement at P.G. Doogie's in Deerfield
Beach. After 55 years of playing R&B in America, he finally played his first gig in
the United Kingdom on Nov. 22, 2002, at Rhythm Riot festival in Rye, England.
Upon his discharge, he hit the Carolina beaches with a band called the Jimmy Cavallo
Quartet, one of the world's first white R&B bands, playing Wynonie Harris, Louis
Jordan, and Hucklebuck Williams tunes, as well as originals. [Bobby Wrenn,
drums; Max Alexander, bass; Bobby Hass, sax,
Diz Utley, sax]. They played all over North
Carolina through 1947 and '48, and during 1949 had a residency in Carolina Beach at a
dance club called Bop City, drawing huge crowds of dancers. (A first-hand account of this
scene can be found in Shagger
Magazine, volume 2 issue 2). Here is another account of that scene.
Jimmy has three CD's on PetCap called "Jimmy Cavallo Live at The Persian Terrace," of big band music, "Live At Freddy's," recorded in 2003, and "Jimmy Cavallo and the Houserockers, Then and Now," released in 2006. They can be bought directly from Petcap Music. There also is a CD of new recordings cut in 2002, called "The Houserocker," released on Blue Wave Records, which you can buy directly from them. Also available from Blue Wave is a compilation CD that has every record Jimmy made from 1951 to 1973, even the rare BSD records, a total of 29 sides. Petcap also gave Jimmy a dedicated web site, www.jcavallo.com
Here are a couple of interesting internet articles by Jimmy's fans and followers.
http://www.newtimesbpb.com/Issues/2005-05-12/music/music.html
http://www.lenoredecor.com/wp/?p=13
note: This artist is widely known as Jimmy Cavello due to a spelling error made by Alan Freed in 1956. This spelling should not be used.
This note asserts that Morgan Wright is the author of this essay and Wikipedia has permission to use the copyright under the GFDL laws
~~~~ oh wait, the four tildes don't work here. He he. Today is December 26, 2006